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Melvin Crispell2

My brother, Torrence Glen did a moving blog tribute to the legacy of Melvin Crispell on

On Thursday, May 29, 2014 gospel music and truthfully music at large, lost one of the most prolific musicians and composers of our time. Professor Melvin Crispell has died.

In music circles, jazz and gospel especially, to be dubbed a “Professor” is a title of the highest honor because it doesn’t just  mean you’re good or even great. There will always be good and great musicians, songwriters, etc. But  there’s something about being deemed so great that other greats want to learn from you. Think about it. There are a finite amount of keys and pedals on an organ or piano. And after years of existence, one would suppose that with this limited resource at some point it would be almost impossible to create a unique or specific sound that had not already been heard or created. People have been playing and composing music for centuries before Melvin Crispell was ever born. Surely, they’d played or discovered every note, chord, and progression there was to find. But every now and then, someone comes and breaks the limits off of an instruments limitation. They miraculously discover infinite possibilities inside of a finite construct. I feel like I’m using big words and sounding rather lofty because I’m struggling to properly communicate the grandeur of his gifting. Very few people could take an instrument or a musical art form that had existed for so long and  managed to elevate and shape a unique sound that influences its style and musicianship to this day.

One would think that after accomplishing such a feat that there would be no room for humility. But this was the foundation of Melvin’s genius and what made “Professor” such an appropriate title. Musicians and composers  borrowed from the sound he created and with a level of grace not seen in people of his stature, he taught them how. Melvin and I weren’t extremely close but because of our close musical circles I was blessed to be around and close to his work many times. As a choir music lover (expert, lol) I knew his entire catalog and there was something so fascinating about watching HIM play HIS songs. And the most honorable part of getting to watch him work was watching him teach. He didn’t keep it to himself. He was always sharing with his contemporaries and aspiring musicians alike.

See the full story here on The Gospel According to Torrence.


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